ThinkSpace Interactive Video

want to learn a different daw?

Let us know which one. Vote now

How To Mix Cinematic Music

Build a professional orchestral mixing workflow


$249 $159

Save over 50% when you buy in The Cinematic Bundle. Limited-time offer.

Introductory Offer: Save 30%, plus get exclusive access to a live harmony webinar and Q&A

Lifetime access



includes professionally recorded LIVE and sampled orchestral tracks

want to learn a different daw?

Learn cinematic mixing and build a practical workflow you can adapt to any project. You'll learn how mix engineers tackle real-world challenges, including the tools they use, the processes, and the decisions made to create a professional sound.

You'll build your own reusable mix template as you go, then put it into action on complete tracks (both live and sampled) provided as stems - orchestral, hybrid, guitar-driven and trailer.

The goal is to build your own methodology, using the tools and budget you already have. Follow the build, tackle the hands-on tasks, train your ear, and finish with a track you would be proud to deliver.

ADD TO CART

Image

course structure

module 1

Getting Started

Find where your preferred mixing style sits on a scale from natural to the 'hyped' trailer sound. Understand the orchestra and the score, prepare a clean session, and build the skeleton of the reusable mix template you'll develop across the entire course.

module 2

EQ, Panning, & Reverb

The core spatial toolkit. Explore EQ types and common frequency problems, train your ear, then place every instrument with panning and reverb, applied section by section to strings, brass and woodwinds.

module 3

Compression, Saturation & Delay

Control dynamics with compression and learn to hear it working. Add analogue warmth with saturation, get creative with delay, then add piano, harp, percussion and drums into your template.

module 4

Parallel Processing & Hybrid Elements

Use parallel processing and sidechaining for power and clarity, then bring synths and electric guitars into the orchestral template for hybrid and guitar-driven cues.

module 5

Blending Samples & Live Instruments

Make live recordings and samples sit together as one performance. Mix live soloists, ethereal soundscapes and choirs, complete a full sampled mix, and join live sessions on reverb, space, automation and polish.

module 6

Mix Bus & Mastering

Time to finish the track. Learn what mastering is really for, work through natural and hyped mastering in practice, apply mix-bus processing, and learn how to deliver a final mix.

meet your tutors

Tim Johnson

Tim Johnson

Tim Johnson is a mixing engineer specialising in cinematic music for film, TV, and games. Working as Cinematic Mixing, his credits span the BBC, Netflix, Amazon, and PBS, and a long-standing collaboration with composer Guy Michelmore, including the OST for the animated series Badjelly.

He has mixed hundreds of tracks for leading production libraries such as Evolution Media Music, Motus Music, and Gothic Storm, and has also worked on tracks featuring Tina Guo, Julie Elven, and Mia Asano. His award-winning credits include the Vega Award-winning Break the Stars and Frontier (composed by Michael Baugh) and the audio drama Hearthfall: Rats in the Tower.

Guy Michelmore profile

Emily Hawkins

Emily Hawkins is a British-German film and media composer whose work spans films, library music, corporate audio branding, dance projects, and podcast themes.


Recent credits include the documentary The Last Cheetahs of Solitaire (director Mandy Mendelsohn) and the award-winning feature films Eine Wütende Frau (Antonia Uhl) and Ende des Kreises (Mareike Sophie Danisch). She also scored the animated kids' series Stomp! Stomp! Rhinos! with Epix Soundworks (OAK9 Entertainment). Her work has featured on UK shows including Masterchef and Made in Chelsea, and she was nominated for the European Talent Award at SoundTrack Cologne in 2023.

Featured Guest

Bradley Jordan profile

Alex Ferguson

Alex has built much of his career at AIR Studios, where he has worked on some of the best-known films of the last decade. After joining as an assistant engineer in 2015, he has honed his craft alongside leading engineers, producers, and musical talent.

His credits include recent scores for Mufasa: The Lion King and The Smashing Machine, alongside the feature musicals Snow White, The Little Mermaid, Matilda the Musical, and Rocketman. In 2024 he received a Golden Reel nomination for Outstanding Achievement in Music Editing for his work on Paul King's Wonka, a process spanning over two years.

He has also worked across stage and music, with West End credits including Back to the Future: The Musical, Starlight Express, and Paddington The Musical, and collaborations with artists such as Good Neighbours and Iskra Strings.

Explore mixing tools In Your Course

Image

Train your ear, not your eyes

It's surprisingly easy to mix with your eyes, trusting the curves, nodes and analysers on screen more than what you're actually hearing. This whole course is about hearing the change rather than watching the interface.

So we've built interactive EQ, compression and mixer widgets right into the course. Make your decisions by ear, test yourself against the real sound, and practise each technique the moment you've learned it, with no DAW to load up and no setup to wrestle with.

Image

Download professional stems ready for mixing

You get full downloadable stems from multiple orchestral compositions, both live and sampled, so you can follow along, pick up exactly where your tutors left off, and rebuild the mixes yourself.

You'll also get scores, project files and a routing diagram to support the template build, so you're never starting from a blank page.

Practical, Hands-On Learning

Image

Build a mix template you'll actually use

Every mix requires something different, but you'll find yourself making many of the same setup choices each time. During this course, you'll gradually build a mix template, centred around your style, that allow you to jump into the mix process without friction.

Image

Learn from a working pro

Alongside the template build, Alex Ferguson walks through a large live cinematic session in his "Live Mix" chapters: organising and editing the session, balancing and panning, parallel processing, reverb and space, automation, and final mix-bus and mastering decisions, exactly as the work happens in a professional studio.

Free Tutorial

Preparing MIDI for Mixing

You can mix straight from your MIDI mockup, but it's usually easier to render to audio first. So how do you do it? This tutorial covers what to bounce to audio, what to do with your current effects, and how to handle panning and balance before you start mixing.

Check out the steps listed below if you're ready to do this with your own track.


Join the community on Discord

Gain access to our ever-growing community of music makers on Discord. You can chat to other people taking the course, pick up fresh tips, share your music, and grow your network.

Don’t worry if you’ve never used Discord before, it’s simple to get set up, and totally free.

Image

Buy today, start & REVISIT anytime

BUY NOW — $249 $159

Lifetime access. Start, finish and revisit anytime.
30-day money-back policy

Frequently Asked Questions

If you have any questions not answered here, please get in touch using the contact details below and we'll get back to you.