This course is for you, if...

You compose music and would like to break into the world of film, TV and game scoring, or you have already scored some projects but want to take your skills to the next level.

starts february 20th

Film Scoring Bootcamp

An 8-week tutored online course with live webinars and personal feedback from professional media composers.

MASTER MUSICAL STORYTELLING

Learn how to craft compelling musical narratives for film and TV. Across 8 weeks, professional media composers will give you the tools you need to write scores that deepen story and emotion.

They'll support you at every step of the scoring process, from spotting, to crafting and refining your ideas, through to preparing final assets for delivery. You'll work with a range of professional-grade film clips for you to score, and over 10 hours of on-demand tutorials to complement your live sessions.

BOOK NOW — $875

Limited places available. Includes lifetime access to all course materials.
See our refund policy

What you'll learn

By the end of this course you will be able to:

Write music that supports an emotional narrative on screen.

Use themes and leitmotifs for characters, ideas, and locations.

Sync music to picture to hit key moments and shape mood and pacing with precision.

Move beyond purely orchestral writing by introducing hybrid and non-traditional elements.

Work confidently with movie files, frame rates, timecode, and markers in your DAW.

Understand professional film delivery, including required assets, file formats, and the roles of different departments within a production.

Personal feedback and guidance from pro composers

Meet your tutors. They'll be with you every step of the way, supporting you with live masterclasses, live review sessions, and personal written feedback on your work as you progress. They're all professional media composers with years of experience.

Joshua Mosley

Joshua is a film, TV and games composer whose projects include the Emmy-nominated Netflix series My Dad the Bounty Hunter, Bernie the Dolphin for Lionsgate, Fortnite FNCS, and The Walking Dead: Saints and Sinners.

Arhynn Descy

Arhynn is an award-winning film composer and voting member of the Academy Awards. Her credits include the sci-fi thriller Crypto Shadows for which she won Best Music, and the thriller Blank, for which she was nominated for Best Music.

EMILY HAWKINS

Emily is an established composer for drama and documentary films, podcasts, library music and more, including a placement on UK Masterchef TV show. She is also a tutor on our popular Orchestral Composition Bootcamp.

MASTERCLASSES WITH GUY MICHELMORE

Bootcamp provides a wealth of on-demand, in-depth masterclasses from Guy Michelmore, which you can revisit forever.

Guy is an Emmy-nominated film, games and television composer whose clients include Marvel, Disney, Dreamworks, Lionsgate and dozens of major TV networks around the world. He is best known for his work with Marvel on eight animated feature films including Ultimate Avengers and Thor, as well as hundreds of episodes of television. His unique and accessible style has made him a popular YouTuber with over 400,000 subscribers.

The Schedule

All live sessions are held at 3pm GMT / 10am EST / 7am PST. Sessions typically last between 90 and 120 minutes. Don't worry if you can't attend some sessions live. Everything is recorded and available to watch on-demand.

After meeting your tutors and fellow students, we’ll cover some of the foundations of film scoring such as the purpose of film music, how spotting works, and working with themes.

Friday, February 20th: Meet Your Tutors with Emily, Arhynn and Joshua.

Monday, February 23rd: The Role of Music in Films with Joshua

Wednesday, February 25th: How To Spot A Movie with Arhynn

Friday, February 27th: Working With Themes with Emily

Live sessions and TUTORING from the pros

You'll receive personal feedback and guidance on your music from an esteemed team of working composers and orchestrators. Their credits include The Little Mermaid, Robot Chicken, countless projects for Disney, Dreamworks, BBC, and Netflix, plus two EMMY nominations.

WHAT BOOTCAMP STUDENTS SAY

"It has been absolutely fantastic. One of the tasks was to write to picture and send it to Chuck – who's EMMY-nominated and writes for Disney – and he gave me really detailed feedback. It was astonishing. You WILL grow and develop in your ability to write for an orchestra – there's no question about it."

Nick Wheeler

“I’ve improved so much already – it’s crazy. The feedback I've received on my own compositions has been fantastic. And so has listening to feedback on all the other student's compositions in the webinars."

JENNY MECHAM

"Bootcamp has really made a big impact on me. I can now look at my projects in a way that I hadn't been able to do before. The sections on strings and brass made such a big difference – they are so practical."

Kenneth Gonzalez

“The live sessions have been absolutely amazing – just utilising the skills for not just my work for bootcamp, but for my own pieces too. The Discord group is absolutely phenomenal too. The community is fantastic."

ALEX SNARSKI

"It really nails the space between a beginners course and a graduate course, so it's perfect for those looking for something in between. I have learned so much, particularly about templates, instruments, keyswitching, and hybrid composing."

BRIAN YORK

"I've really enjoyed it. It's given me a structure around which to write music – and a bit of a push so I can make composing a bigger part of my life."

Everett Miller

How You'll Learn

This course combines the flexibility of on-demand training with personalised written feedback and live online events. You’ll attend live masterclasses with working professionals focused on specific skills you need to know, alongside group feedback sessions designed to raise the quality of your work together with your fellow students.

8 weeks of guided tutorials, with a mix of pre-recorded videos and live sessions.

Regular, tutor-led feedback sessions, alongside your peers, to get the group's insight on your work.

A final project written review.

Live masterclasses from guest lecturers, focusing on specific topics in great detail.

Music-free film clips to score

Download a range of film clips to score yourself, including commercial releases and clips with original dialogue and foley/sound effects. Choose from action, fantasy, animation and documentary footage.

Learn together on the ThinkSpace Discord

This course includes lifetime access to our ever-growing community of music makers on Discord. You can chat to other people taking the course, pick up and share tips, and grow your network. You can also share your MinusONEs and other projects from the course to gain useful feedback and pointers from your peers.

Don’t worry if you’ve never used Discord before, it’s simple to get set up, and totally free.

signup for bootcamp

8-weeks of tuition, live webinars and personal feedback with pro composers

Over 20 hours of orchestration and composition video tutorials

Lifetime access to all course materials – revisit anytime

Lifelong access to our worldwide Discord network of composers

BUY VOUCHER — $875

Pay in interest-free installments with PayPal. Choose 'Pay Later' (available in US, UK, DE, FR, IT, ES, AU).

Secure YOUR PLACE TODAY

8 weeks of tuition, live webinars and personal feedback with pro composers

Over 10 hours of film scoring video tutorials from Guy Michelmore

Lifetime access to all course materials and webinar recordings – revisit anytime

Lifelong access to our worldwide Discord network of composers

BOOK NOW — $875

Limited places available See our refund policy

Pay in interest-free installments. Choose PayPal then 'Pay Later' (available in US, UK, DE, FR, IT, ES, AU).

"Am I good enough for Bootcamp?"

If you’re unsure, just email us a couple of examples of your music and we’ll let you know where you stand. Or if you have any questions at all, just drop us a line — we’ll be happy to help.

bootcamp@thinkspace.ac.uk

Frequently Asked Questions

If you are thinking about taking the course, there are some requirements you may want to consider. Here are the most frequently asked student questions to help you to assess whether the course is right for you.

We expect you to already be able to write music in your DAW, even if you know your skills need work. Skills like how to input MIDI, load software instruments, and use effects and automation will not be covered during this course.

You don’t need to be an experienced composer, and we understand there may be gaps in your knowledge. As long as you don’t feel like a beginner, this course will support your progress. You do not need to have written music for films before – we assume you know how to write music, but this may be your first time ever writing to picture, so we’ve got you covered there.

The course is structured as an eight week program, however, you have opportunities to submit your work outside this eight week structure if needed.

If you do, on average, a small amount of work each day (under an hour), attend the live sessions, and make sure to check out the course videos and materials, you should have plenty of time to complete it in the eight weeks. But if you fall behind, it's not a problem.

There's a few types of software you'll need to take part, but as a musician these should be things you have already.

You will need:
- A Digital Audio Workstation (DAW)
- A set of orchestral sample libraries
- Any additional plugins, or software / acoustic instruments that contributes to your style.

For your DAW, we can provide extension support for Logic Pro X and Cubase. Other DAWs should be absolutely fine, but we cannot guarantee we will be able to offer you technical support if you have issues. If you have doubts about your setup, just drop us an email.

You will need a computer capable of running a DAW with orchestral sample libraries. Orchestral samples can be quite taxing on your machine - especially RAM. As a general rule, we would advise a minimum of 16gb of RAM.

There are techniques you can use to maximise the efficiency of your computer's resources, and we'll discuss that further on the course.

We also advise a decent set of monitoring headphones. Speakers are fine, but in a room that doesn't have acoustic treatment your ability to judge your mixes objectively will be more difficult.

A MIDI keyboard is also useful when inputting notes into your DAW, but plenty of composers make do with just a keyboard and mouse so if that's your style don't let us dissuade you from using that method!

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